In November 2009 I was invited to contribute to Nancy Campbell’s Arctic Arts Blog. I provided information and insights about the Glacier Project for the blog which ‘features artists who have responded to the Polar regions or associated themes, ie. glaciers, ice and vulnerable environments’.

Download the PDF document detailing correspondence between Elizabeth Jackson and Nancy Campbell.

An edited version of this document appears on Nancy Campbell’s Arctic Arts Blog.

For further information visit the Glacier Project website.

In December I will be exhibiting at Kaleid gallery in Shoreditch, London as part of…

The Grand Plasto-Baader-Books
2-24 December 2009

The exhibition will bring to life ‘the aftermath of an accident between a trolley car and a newspaper kiosk’, recalling Maud Lavin’s description of Johannes Baader’s original exhibition Das Grosse Plasto-Dio-Dada-Drama. Drawing inspiration from Baader’s original architectural feat, fifty pieces have been selected for their originality and conceptual response to the traditional book form. KALEID curator Deeqa Ismail challenges the viewer to consider not what a book is but what a book can be. Reaching out to an international network of artists.

KALEID PRESS RELEASE: The Grand Plasto-Baader-Books

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prototypes featured in the exhibition

Rise_1.1
Rise
embossed prototype # 1.1
December 2008
297 x 210 x 80 mm

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FALL_1.1and1.2
Fall
cut prototype # 1.1 (above left)
cut prototype # 1.2 (above right)
August 2009
210 x 148.5 x 50 mm

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Volume Study Prototypes
Material and process are the principle elements that influence the configuration of each book object. The form is constructed using systematic layering. Binding of the individual leaves / pages stabilizes and even generates the shape of the object. The bound edge is the single consistent structural element – this assigns a force from which the formation of the book develops. The Prototypes form a series of working models. They contain ideas about three-dimensional space and each becomes a visual document encapsulating the process of fabrication. The work challenges preconceptions of books and reading – animated by light and natural forces the surfaces of these books require a different type of visual engagement.

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ELP_studio

Artist Residency at East London Printmakers

May – June 2009

www.eastlondonprintmakers.co.uk

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racked_prints

RESIDENCY OUTLINE
During the residency, I made intricately layered and delicately coloured screenprints in three glacial blue hues.

Print Titles:
Glacial Blue #1__________Density 1–6_________Intensity 1–4
Glacial Blue-Green #1_____Density 1–6_________Intensity 1–4
Glacial Blue-Grey #1______Density 1–6_________Intensity 1–4


introduction
The denser glacial ice is, the bluer it appears. Inspired by this a series of screenprints were made that build colour density through the layering of ink on paper. I apply processes and configurations observed in nature to the activity of making prints – this methodology generates new ways to think about the printmaking process. Initially systematic in construction the print subsequently develops its own dynamic form.

research / field studies
Prior to the residency I worked directly from the landscape to produce a comprehensive range (over 120 to date) of small-scale colour tests and sample swatches. This preparatory work was developed during into a series of intricate larger scale prints.
Key ideas and concepts explored in the prints:

> ink as strata – suspended colour within the layers of a print
> three-dimensional colour – building depth, intensity and mass
> using the screenprinting process to create sculptural forms on a surface

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During the residency I delivered a one-day workshop titled ‘The Colour of Summer’ and gave a presentation as part of ELP’s artist talk programme.

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book_01 Colour_of_Summer_book_02 Colour_of_Summer_book_03

New Publication June 2009

Title: The Colour of Summer [Volume One]
ISBN: 978 – 1 – 907202– 00 – 1
Publisher: Atelier Jackson Press
Size: 275mm x 200mm
Workshop: East London Printmakers, UK, 7th June 2009
Edition: 30 copies

Description: In association with East London Printmakers The Colour of Summer [volume one] is a publication that documents a master workshop delivered by Elizabeth Jackson. Inspired by the descriptive, sensory and material qualities of colour, ELP participants created the content for this limited edition bookwork published by Atelier Jackson Press.

Colours featured in this volume:
Alhambra Olive, Aqua Marine Caress, Dappled Summer Stillness, Humid Pink, Lagoon Caramel, Patchy Burnt Brown, Salty Gold, Valley Blast, Vibrant Meadow.


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Colour_of_Summer_folders_01 Colour_of_Summer_folders_02

One-Day Workshop: The Colour of Summer
East London Printmakers, UK, 7th June 2009

A workshop exploring the descriptive, sensory and material qualities of colour. During the workshop each participant created, named then mixed a single colour. The colours were then screenprinted onto individual pages.

ELP_WORKSHOP_01sml

ELP_WORKSHOP_02sml

ELP_WORKSHOP_03sml

ELP_WORKSHOP_04sml

After the workshop the book covers, contents and index pages were printed. All the pages are now ready to be collated and bound, the edition will finished by the end of my residency at ELP, June 30th 2009.

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Workshop feedback

“As someone who spends a lot of time struggling to get colour to make the effect that I desire, I thought it was great to approach colour in a different way.”
Wuon-Gean Ho

“Just a quick thank you to say what a wonderful day I had printing with you.”
Sumi Perera

“Thank you for a great workshop.”
Vic Browne

studio_cs

COLOUR STUDY glacial ice
Pictured are a collection of sample swatches and colour tests. Using this research material I am developing a series of screenprints that build colour depth through semi-transparent, tints and overlays.

printing

SKY BLUE gradient prints
I have been making some test prints for a study of the sky at dusk and dawn.

Atelier Jackson

info@atelierjackson.com